William Gibson Part I

William Gibson’s connection to bicycling, or more specifically, to bike messengers, began with his novel Virtual Light which recounted the adventures of San Francisco bike messenger Chevette Washington. Chevette has stolen a pair of high-tech sunglasses which are embedded with a kind of software that details the massive redevelopment of San Francisco and forebodes the even further displacement of the city’s poor and disenfranchised. Like all of Gibson’s work, Virtual Light is a critique of end game capitalism and envisions a future in which the annihilation of the middle class is complete and the working classes consist of people like Chevette who subsist on marginalized low paying jobs like messengering, and squat in place like the abandoned Oakland Bay bridge.
Gibson evidently solicited help from a messenger named Markus, aka “Fur” who published a messenger zine back in the early nineties and shortly afterwards died of a heroin overdose. Gibson’s elegantly turned tropes and dystopian themes have won him prominent place of notoriety in the mainstream of literature and have solidified his reputation as a techno-prophet. He single-handedly invented the concepts of “cyberspace” and “virtual reality” and may have contributed to the evolution of “reality TV”. instead of 15 minutes of fame, the most we can hope for is 15 seconds.

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